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musical instruments of historical tradition. Exhibition and concert.
Dissemination, promotion and enhancement of historic traditional music and instruments used by it, to awaken in children, youth and adults, interested in music, folklore and traditional peasant culture. Exhibition of over 100 tools and educational concert. Proceedings 2010


26/01/2010 - ALBACETE (Albacete) 18/02/2010
- Móstoles (Madrid)
10/03/2010 - SAN PEDRO (Albacete)
07/04/2010 - TOLEDO (Toledo)
10/04/2010 - Casasimarro (Cuenca)
23/04/2010 - THE Herrumblar (Cuenca )
05/05/2010 - Boadilla del Monte (Madrid)
13/05/2010 - Cuenca (Cuenca)
18/05/2010 - Quintanar del Rey (Cuenca)
10/06/2010 - Iniesta (Cuenca)
11/06/2010 - Iniesta (Cuenca)
16/07/2010 - Motilleja (Albacete)
17/07/2010 - Motilleja (Albacete)
18/07/2010 - Motilleja (Albacete)
01/08/2010 - PIQUERAS DEL CASTILLO (Cuenca)
05/08/2010 - Villalpardo (Cuenca)
06/08/2010 - Iniesta (Cuenca)
19/08/2010 - PIQUERAS DEL CASTILLO (Cuenca)
07/09/2010 - ALBACETE (Albacete)
09/09/2010 - VALDEMORO SIERRA (Cuenca)
11/10/2010 - Enguídanos (Cuenca)
22/10/2010 - CAMUNO ( Toledo)
19/11/2010 - ALICANTE (Alicante)
22/11/2010 - Colmenar Viejo (Madrid)
23/11/2010 - Colmenar Viejo (Madrid)
26/11/2010 - Tres Cantos (Madrid)
27/11/2010 - PUEBLA DEL SALVADOR (Cuenca)
18/01/2011 - Getafe (Madrid)
19/01/2011 - Getafe (Madrid)
11/02/2011 - SAN MARTÍN DE LA VEGA (Madrid)
05/05/2011 - Villanueva de los Infantes (Ciudad Real)
19/11/2011 - Cuenca (Cuenca)

[View ACTIONS IN 2007, 2008 and 2009 ]

Free Movies Online Mario Salieri

photo collection dates Javier:

The piter de Iniesta in the Chicharra 2008:

Rabelo neat in the church of Santa Maria de Alarcón

Rabelo on the Pitera Ballestero to Albacete:
albogue
With one (Cuenca )

What Is The Worst Wegie

Hack Sidekick Lx 2009

- Consultation Phase - Program realization

A / 1 - CONSULTATION PHASE

A / 1. a - Technical Consultation : Complex

mural UDELAS

We concluded that, for the realization of " Complex Mural" to be placed in the Foyer of the new university, the technique painting to be used should consist of a base Acrylic / Polymer, since this technique allows the use of an advantageous range of materials necessary for such implementation to suit tower-tropical climate of our country, which is considered essential.

The various jobs I held in Panama, I tried to find technical advice, first order, to face the problems and difficulties peculiar to our region's climate, which is why I do my work advised by the technical offices of factories that produce the material to be used in my performances, usually Italian factories, mainly Florentine, which ensure reliability and guarantee the effectiveness of their products. Proposing

highly professional solutions for solving the various problems encountered, can ensure fair and good preservation conservation ensure a long life to the work. Having the above we have acquired expertise through the many works carried out, the tools necessary for the implementation of various projects, leaving a legacy demonstrative and indisputable and verifiable document, the same work done.

In the specific case of the Hall and the realization of that COMPLEX Muralist is necessary to expose the thoughts that led us to consider Acrylic Resins / Polymers and technical guidance for such implementation:

- As a first step, I conducted a detailed observation of the wall where the work place: a fence / wall panel made with network metal, Cement Compacted Concrete to have the two sides of the walls in a heated internal environment, perhaps subject to the stress of conditioned area or just natural temperature with the addition that the panels are paintings, found on the top, very close ceiling.

- is also important to note that these paintings will be bathed by the light indirectly artificially placed on the roof of the extructura.
The peculiarity of this modern structure, in a climate-conditioned and indirect light leads us to suggest, with total conviction, the following solutions:

use cloth, avoiding paint directly on the wall.

The latest research conducted by me, show results in the need to avoid painting on the wall, as it requires a prior preparation, very specific and sensitive at the time of the construction of the wall in the which should be avoided inside Maya or metal networks and salnitrocidades in the composition of cement, only and could be ensured, over time, the resistance of the pigments and protection against weather conditions to which the work will be exhibited.

oil paintings or Technical fats (always on Canvas) need a good solid wall, consistent and insulator (such as JDA Normal School of Santiago, "performed by R.Lewis-.. stone made art cement and lime) which also must be completely protected from sun exposure, as the paint and Techniques Oleo Fats need to be separated from indirect light sources, especially those directly, as you run the risk of loss of pigmentation, provoking their slow degradation.

The use of paintings consisting of synthetic polymer resins with Acrylics art treatments (Acc/33) used for restoration and preservation of works of art, can cope with the particular case and particularly in our case, is appropriate for wear resistance over time as climate change where the humidity and atmospheric conditions, demand conditions impremiabilizacion elasticity and individuals. These technical considerations should be applied throughout the process of completing the work, which is why, to choose the material (fabric) and the preparation thereof, be used ONE technical criteria in order to solve the aforementioned problems. In addition, the materials (fabric, pigments, resins, antimufas, fungicides, and paints) are carefully prepared by the factory for optimum performance of such work.

addition to these considerations, I would recommend the following practical solutions, which yield results in the future, taking into account the handling and conservation of works of mural Complex:

- Using cloth racks for mounting to NO GLUE fabric to the walls. This method (racks) is most costly, but allows a practical level, the H of the work in the assembly stage, maintenance, cleaning and mobility of it.

- Placement of the 16 panels free of moorings to the same structure and, above all, permitted speedin in the placement phase, the windows or spaces between the fabric and the wall, giving to the work space for air circulation, fact useful for the proper conservation and protection work in the same climate. (Defensive barrier)
- Make it possible, in case of restructuring or consolidation of the architectural structure, its easy mobility, as well as with respect to the phase of "conservation-cleaning" of the work, allowing, if necessary, paint the entire structure, without excluding the walls where the fabric will be placed.
- where prestigious events or unique because of its importance, the works are available.

Conclusions:

- FRAME: Frame Using
where to place the fabric. (Will be held in Santiago)

- FABRIC:
Fabrics will have to be equipped with the following constraints specific. Jute Linen mixed (type Leonardo) in preparation Acrylic Acc/33, antimufa, anti-moisture, fungicida/acri-45.
The height of the fabric should be a minimum of 3.10 meters. (Three meters and ten centimeters) and must be produced directly because it is not in the market. This allows us to intervene in the chemical preparation of the same, giving mixtures of products necessary for our needs

- PIGMETOS / PAINTING: Acrylic Colours

/ Acc/33 acrilic emulsion polymers, emulsion based on 500 grs. with the basic colors (making the factory.)
Colors (Paints) will be created in order to resist against the light and weather variations.

- FINAL VARNISH:

pure acrylic resin emulsion Acc/33
The benefit of working with companies is that they perform a single invoice with discounts and reasonable prices, in addition to providing technical assistance and qualified.

Thank You Wording For Condolence

"COMPLEX Muralist"
(HALL OF UDELAS)
Santiago de Veraguas
2008

A / 1 - CONSULTATION PHASE :

.... A / 1. a - Technical Consultation

......................-
Materials .............. ................ Tela
.- ...............................- Technical
...... ................- Work Decision on Installation Paste
...............................-
canvas. Frame ..............................-


.... A / 1. b - See Hypothesis "CONTENT" of the sketch.

.............. - Hypothesis of the general content of the 16 panels. The artist intends to make a hypothesis about the content or issues which are the subject of work.


B / 2 - PHASE OF CREATION:

.... B / 2. a-Realization of the sketches / Realization of the 16-Mural Fabrics

To perform the 16 sketches, the artist will have full freedom of style and artistic happening, immediately the Cloth-relización of Mural

.... B / 2. b-Cost / Agreement

................... COSTS ( Materials, Labor (assembly), Transportation.
.................... AGREEMENT ( Contract Time slogan Economic Agreement)

C / 3 - OPERATIONAL PHASE :

........ C / 3. a - Luggage / Transportation

..... ... C / 3. b - Assembly - Work

Sistemación

What Should Cm Look Like 5 Days Before Period

A / 1. b - CONSULTATION : Hypothesis "CONTENT" sketch.

I have tried to design the mural Complex UDELAS through the following idea:
The concepts that have guided the thinking of contemporary man:

Memory, Logic, Language and Science

These humanistic concepts have served as a reference point, from the man they sought the necessary answers to their concerns, to reach the truth and overcoming collective.
The 16 panels will cover the following topics:

Memory
-Wall front stairs

(5 panels)

Identity - Roots - Memory - Group - History

LANGUAGE

-Wall-

right

(3 panels)

Writing - Language- Expressions (mixed) - Communication (Modernity )

LOGIC
-Wall posterior/entrada-

(5 panels)

Certainty - Reason - Logic - Evolution - Projection

SCIENCE

-Wall-

left

(3 panels)

Borders - Science - Research

(The 16 panels that make up the atria)

These

concepts will be treated under the conviction and certainty to put in the center of all subjects, the question of respect for diversity, the compatibility between Cultures, Human Solidarity. Nothing can justify the use of human thought, if not related to the principles of mutual tolerance and equality within diversity. That is the pattern that will guide the sketches of the 16 panels.
The first hypothesis can be clarified or enriched by new proposals, taking into account that are available only 16 panels.

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TO CHECK SOME WORK DONE BY THE ARTIST ARISTIDES UREÑA RAMOS .. INVITE YOU TO COME IN THE NEXT BLOG:

--- Mural for Regional Center of Veraguas Univesitario title "Homage to the intelligentsia Veraguense" 2003 .... 4 meters high by 14 long .. can enter by clicking here:

http://www.mural-aristides.blogspot.com/

Dome --- Santo Tomas, held at the Santo Tomas Hospital in Panama City 2002-2003 16 meters in diameter ..... cliche here: http:/

/ cupulasantotomas.blogspot.com /

--- You will also see the last large job, by Aristides. "THE DREAM OF THE TOWN" for the Municipality of Santiago de Veraguas (2008), on occasion of 500 years of foundation of Veraguas Governacion Cliche ..... here:

http://www.muralmunicipio. blogspot.com /

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